2021年8月アーカイブ
2021年8月12日
Performance Dates & Tickets
Join us on a Christmas journey with Masha.
The Nutcracker
Ballet in two acts
Music Pyotr Tchaikovsky |
Libretto Marius Petipa after the tale by E. T. A. Hoffmann |
Restaged by Yukari Saito after Lev Ivanov and Vasily Vainonen |
Designs Andrei Voitenko |
Set and Costume Supervisor Nikolay Fedorov |
On Christmas Eve, the party is over and the grand living room in Masha's house is silent. When the clock sticks midnight, the Christmas tree suddenly begins to grow to dizzying heights, and Masha finds herself in a world of dolls, where occurs a battle between an army of toy soldiers and the mice. Masha bravely fights and rescues the Nutcracker Prince, and is invited in reward to the beautiful Land of Snow and the Land of Sweets.
The Nutcracker, a classic set to Tchaikovsky's colorful musical gem, has enjoyed enormous popularity all over the world as a winter treat for family and friends. It is a stream of brilliant dancing, including the beautiful adagio and magical dance in the Land of Snow for Masha and the Nutcracker Prince in Act I, the brilliant character dances and the Grand Pas de deux in Act II. Join us on a captivating Christmas journey with Masha!
Photos: Kiyonori Hasegawa
Performance Dates, Cast and Venue
Friday 10 December 2021, 19:00 @Tokyo Bunka Kaikan
Masha Kanako Oki
Nutcracker Prince Yasuomi Akimoto
Saturday 11 December 2021, 14:00 @Tokyo Bunka Kaikan
Masha Akira Akiyama
Nutcracker Prince Arata Miyagawa
Sunday 12 December 2021, 14:00 @Tokyo Bunka Kaikan
Masha Hitomi Kaneko
Nutcracker Prince Shoma Ikemoto
Conductor Shogo Isobe
Orchestra Theater Orchestra Tokyo
Chorus NHK Tokyo Children Chorus
On Tour
Wednesday 15 December 2021, 18:30 @Yokosuka Arts Theatre, Yokosuka
Masha Akira Akiyama
Nutcracker Prince Arata Miyagawa
Saturday 18 December 2021, 14:00 @Kawasho Hall (Kagoshima Shimin Bunka Hall), Kagoshima
Masha Maria Adachi
Nutcracker Prince Suguru Otsuka
Sunday 19 December 2021, 16:00 @Iichiko Grand Theater, Oita
Masha Kanako Oki
Nutcracker Prince Yasuomi Akimoto
Tuesday 21 December 2021, 18:30 @Reed & Rose Fukuyama Hall of Arts & Culture, Fukuyama
Masha Hitomi Kaneko
Nutcracker Prince Shoma Ikemoto
Wednesday 22 December 2021, 18:30 @Rexxam Hall, Takamatsu
Masha Maria Adachi
Nutcracker Prince Suguru Otsuka
Friday 24 December 2021, 18:30 @Hyogo Performing Arts Center KOBELCO Grand Hall, Nishinomiya
Masha Akira Akiyama
Nutcracker Prince Arata Miyagawa
Sunday 26 December 2021, 15:00 @Torigin Bunka Kaikan, Tottori
Masha Hitomi Kaneko
Nutcracker Prince Shoma Ikemoto
Monday 27 December 2021, 18:30 @Act City Hamamatsu, Hamamatsu
Masha Kanako Oki
Nutcracker Prince Yasuomi Akimoto
Conductor Shogo Isobe
Orchestra Theater Orchestra Tokyo
Running Time About 2 hours and 10 minutes including an intermission.
*Casting as of 29 July 2021 is subject to change.
Tickets (tax included)
For Tokyo performances
Category | |
S | \13,000 |
A | \11,000 |
B | \9,000 |
C | \7,000 |
D | \5,000 |
E | \3,000 |
For Kagoshima performance
Category | |
S | \8,000 |
A | \6,000 |
B | \4,000 |
Ticket Prices for performances in other cities will be announced shortly.
●Please note that we are to present the performances with the utmost caution in line with national and regional guidelines for novel coronavirus infection prevention measures, and that the performance dates and details are subject to change depending on circumstances. We will be posting on our website a list of novel coronavirus precautions upon attending the performance. Audience members are kindly asked to read it before attending the performance.
●Children under 5 years old are not admitted to the auditorium.
●Program and casting as of 29 July 2021 are subject to change. Changes in the program and cast do not entitle holders to return or exchange tickets.
Ticket Sale Dates
All tickets for Tokyo Performances go on sale on Friday 10 September 2021 at 10:00a.m.Book now
Presales at "NBS WEB Ticket" (for Tokyo performances)
●For Categories S, A, B, C, D and E
Thursday 26 August 2021 at 21:00--Wednesday 8 September 2021 at 18:00
Ticket sales dates for other performances will be announced shortly.
Presales and Discount Tickets at NBS WEB Ticket and NBS Ticket Center
To purchase discount tickets at NBS WEB Ticket, you will need to register for a free membership of Japan Performing Arts Foundation (NBS) from here. (We regret that the form is only in Japanese.)
After registration, click here to buy tickets.
1. Parent and Child Tickets (Categories S, A & B)
Parent and Child Tickets (for children between 5 and 18 years old) will go on sale from Tuesday 21 September 2021, 10:00 at NBS WEB Ticket and NBS Ticket Center (Phone +81-(0)3-3791-8888). Up to two child tickets per one parent ticket can be purchased. Child tickets are half the adult price.
2. 25 and Under Tickets
¥1,500 tickets for those aged 5 to 25 years go on sale on Thursday 11 November 2021, 20:00 at NBS WEB Ticket. You must bring identity documents with proof of age to pick up your tickets at the venue on the performance day.
3. Discount for two persons (Categories S, A & B)
Enjoy a discount by \1,000 for two persons. Tickets will be on sale during the periods of presales and the general sales at NBS WEB Ticket and NBS Ticket Center (Phone 03-3791-8888).
For more information, please contact us at +81-(0)3-3791-8888 (phone) or english@nbs.or.jp.
Tokyo performances
助成: 文化庁 文化芸術振興費補助金(舞台芸術創造活動活性化事業)|独立行政法人日本芸術文化振興会
Presented by Japan Performing Arts Foundation
Supported by The Association of Japanese Ballet Companies
2021年8月11日
The 16th World Ballet Festival: Program Updates and Cast Changes as of 11 Aug.
Please find below updates in the programs A and B to be performed at the 16th World Ballet (Friday 13 - Sunday 22 August).
We regret to announce that Hugo Marchand has become unable to participate in Program A. It has become impossible for him to enter Japan before the Festival begins because of the travel regulations. However, he is to participate in Program B.
In Program A, to replace Hugo Marchand, Friedemann Vogel will perform a Pas de deux from Act 1 of Onegin, with Dorothée Gilbert.
We apologize to our valued audiences who have
been anticipating the original casting and program, but appreciate everyone's
kind understanding for the unavoidable situation.
Program A 13, 14, 15, 16 August 2021
(Repertoire order will be announced on the date
of performance.)
Artists |
Repertoire |
Amandine Albisson Mathieu Ganio |
"Diamonds" from
Jewels Choreography: George Balanchine, Music: Pyotr
Tchaikovsky |
Maria Alexandrova Vladislav Lantratov |
Raymonda Choreography: Marius Petipa, Music: Alexander
Glazunov |
Elisa Badenes Friedemann Vogel |
Onegin - Pas
de deux from Act 3 Choreography: John Cranko, Music: Pyotr
Tchaikovsky |
Alessandra Ferri Marcelo Gomes |
Le Parc Choreography: Angelin Preljocaj, Music:
Wolfgang Amadeus Mozart |
Fumi Kaneko Vadim Muntagirov |
Manon - Pas
de deux from Act 1 Choreography: Kenneth MacMillan, Music: Jules
Massenet |
Dorothée Gilbert Friedemann Vogel |
Onegin - Pas
de deux from Act 1 Choreography: John Cranko, Music: Pyotr
Tchaikovsky |
Ekaterina Krysanova Kimin Kim |
Le Corsaire Choreography: Marius Petipa, Music: Riccardo
Drigo |
Hannah O'Neill Mathias Heymann |
Flower Festival of Genzano Choreography: August Bournonville, Music:
Edvard Helsted |
Olga Smirnova Vladimir Shklyarov |
Romeo and Juliet - Pas
de deux from Act 1 Choreography: Leonid Lavrovsky, Music: Sergei
Prokofiev |
Madoka Sugai Alexandr Trusch |
Persistent Persuasion Choreography: John Neumeier, Music: Ludwig
van Beethoven |
Gil Roman
|
Swan Song Choreography:
Giorgio Madia, Music: Les rêves en movement (Maurice Béjart), Johann
Sebastian Bach |
Daniil Simkin
|
Swan Lake - Solo
from Act 1 Choreography: Patrice Bart, Music: Pyotr
Tchaikovsky |
|
The Dying Swan Choreography:
Mikhail Fokine, Music: Camille Saint-Saëns |
Program B 19, 20, 21, 22 August 2021
(Repertoire order will be announced on the date
of performance.)
Artists |
Repertoire |
Amandine Albisson Mathieu Ganio |
Three Preludes Choreography: Ben Stevenson, Music: Sergei
Rachmaninov |
Maria Alexandrova Vladislav Lantratov |
Two Rooms Choreography: Ilya Jivoy, Music: Max Richter |
Elisa Badenes Friedemann Vogel |
Nachtmerrie Choreography: Marco Goecke, Music: Keith
Jarrett, Lady Gaga |
Elisa Badenes Vadim Muntagirov |
Black Swan Pas de deux Choreography: Marius Petipa, Music: Pyotr
Tchaikovsky |
Alessandra Ferri Gil Roman |
Les Chaises Choreography: Maurice Béjart, Music: Richard
Wagner |
Dorothée Gilbert Hugo Marchand |
Romeo and Juliet - Pas
de deux from Act 3 Choreography: Rudolf Nureyev, Music: Sergei
Prokofiev |
Ekaterina Krysanova Kimin Kim |
Don Quixote Choreography: Marius Petipa, Music: Léon
Minkus |
Hannah O'Neill Mathias Heymann |
Le Corsaire Choreography: Marius Petipa, Music: Riccardo
Drigo |
Olga Smirnova Vladimir Shklyarov |
"Diamonds" from
Jewels Choreography: George Balanchine, Music: Pyotr
Tchaikovsky |
Madoka Sugai Daniil Simkin |
Grand pas classique Choreography: Victor Gsovsky, Music:
Daniel-François Auber |
Alexandr
Trusch |
"I Got Rhythm" from Shall We Dance? Choreography:
John Neumeier, Music: Greorge Gershwin |
Marcelo Gomes |
Still of King Choreography: Jorma Elo, Music: Franz Joseph
Haydn |
*Programs and casting as of 11 August 2021 are
subject to change. Changes in the program and cast do not entitle holders to
return or exchange tickets.
Japan Performing Arts Foundation (NBS)
The 16th World Ballet Festival: Important notice to the audience members
The safety and comfort of our audiences,
participating artists, staff and all the people concerned is of the utmost
importance to us. To host the 16th World Ballet Festival, we are and
will be strictly following the COVID-19 preventive measures imposed by the
regional and national governments as well as other possible measures.
In line with those preventive measures, we have
also had to establish necessary guidelines for the audiences to ensure the best
possible attendance. We regret any inconvenience this may cause you, but
sincerely thank you for your kind consideration and for complying with the guidelines.
Please read the following carefully before attending the performance(s).
1. COVID-19 Contact Tracing
In line with the Japanese government request, please register your contact details via this link before attending the performance(s):>>>click here>>>
It is to enable us to let you know if you may
have been exposed to COVID-19.
We regret the format is only in Japanese.
Please contact english@nbs.or.jp if you
need any help to register.
2. Baggage Inspection
During the period of Tokyo 2020 Olympic and
Paralympic games, the Tokyo Bunka Kaikan must implement baggage inspection of
each audience member. Schedule to arrive at the theater earlier enough because
it may take more time to enter than usual.
3. No Sales of Same-Day Tickets
There will be no sales of same-day tickets as
we cannot sell more than 50% capacity, under the current situation.
4. Stay Home when Appropriate
You must stay at home and must not attend any
Festival event if you
(a) are required to self-isolate or quarantine
due to being a confirmed case of COVID-19, or having close contact with a
confirmed case.
(b) have been tested for COVID-19 and are
awaiting for test results.
(c) develop any of the symptoms of COVID-19
including fever of 37.5 ℃ or
higher (or you have had a fever for days), cough, sneeze, sore throat,
shortness of breath, running nose, loss or taste or smell , fatigue, muscle or
body ache, and others.
At the Tokyo Bunka Kaikan
5. Body Temperature Screening
Body Temperature Screening will be implemented
at the entrance of the Tokyo Bunka Kaikan. You may be refused entry if you are
identified to have a fever of 37.5℃ or
higher.
6. Mask Wearing
Wear a mask at all times in the theater. You
may be refused entry if you are not wearing a mask.
7. Wash Your Hands
Wash your hands regularly and thoroughly and
use hand sanitizer where available.
8. Refrain from Talking or Eating
Refrain from talking, uttering a voice or
eating at all times in the entire theater including the auditorium, foyer and
restrooms.
9. Bring Your Own Drink
Please bring your own bottle of water or any
other non-alcoholic beverage if necessary, as the water servers at the Tokyo
Bunka Kaikan will not be in service. There will be no sale of food and drink
either.
10. No Rental Service of Opera Glasses and
Blankets, no cloakroom available
There will be no rental service of opera
glasses and blankets. There will be no cloakroom available.
11. Pick up a Cast Sheet by Yourself
To limit contact between people as much as
possible, cast sheets will not be handed directly to each audience member. Please
pick up a cast sheet by yourself from the piles on the desk.
12. Refrain from Shouting Bravo
Please refrain from shouting bravo or any other
words at the performances. Your warm clapping will be highly appreciated.
13. Remain Seated after Performance
Please remain seated after the performance
until further instructions are announced, in order to avoid crowding the exits.
14. No Waiting for the Participating Artists at
the Stage Door, hotel or any other places
I line with the guidelines that we are imposed
by the government, it is strictly prohibited that the participating artists
contact with other people except a few designated people concerned. Therefore,
please refrain from waiting for artists at the stage door of the Tokyo Bunka
Kaikan, hotel or any other places.
15. About Gifts, Flowers and Letters to the
Participating Artists
Basically, any gifts to the participating
artists cannot be accepted at the Tokyo Bunka Kaikan, to help prevent spread of
germs.
- Flowers: However, if you wish to send flowers, you can do so through the following flower delivery service. No other flowers sent in different ways can be accepted. >>>click here
- Letters: A special post will be set in the
foyer. You can drop your letter to the artist in the post. They will be
delivered to each artist. Please make sure to put the addressee's name. You can
enclose only letter.
- Messages: Instead of physical letters, you can also send messages to the participating artists via >>>click here
Thank you for your kind consideration to follow
the guidelines.
Preventive Measures that Japan Performing Arts
Foundation Follows
1. Ventilation
To increase circulation of outdoor air as much
as possible, we will open the doors one hour before the curtain-up. In
addition, we will open as many doors of the foyer as possible for ventilation.
2. Cleaning and Disinfecting
We will be cleaning and disinfecting regularly
all the related facilities at the Tokyo Bunka Kaikan including the auditorium,
foyer, restrooms, stage, stage wings, greenrooms and others.
3. Health Monitoring of Staff Members
All the event staff members are checking
temperature every day and self-monitoring health condition. Only those without
any symptoms of COVID-19 are allowed to work at site.
4. Mask, Face-Shield and Sanitary Glove Wearing
All the event staff members will be wearing a
mask, face-shield and sanitary gloves on the day of the performances.
Thank you for reading and for your kind understanding.
If you have any questions, please contact us at english@nbs.or.jp .
Japan Performing Arts Foundation (NBS)
2021年8月 4日
Performance Dates & Tickets
Béjart Ballet Lausanne returns to Tokyo with Gil Roman's new creation and Maurice Béjart's immortal masterpieces.
We are pleased to be able to announce that the Béjart Ballet Lausanne Japan tour is now rescheduled for October 2021.
Photo: BBL - Gregory Batardon
Tous les hommes presque toujours s'imaginent
On their 18th Japan tour (including the tours of the predecessor, the Ballet du XXe Siècle), the Béjart Ballet Lausanne, the Béjart Ballet Lausanne will bring two amazing programs. A triple bill featuring Tous les hommes presque toujours s'imaginent, a new creation by Artistic Director Gil Roman, along with Boléro by Maurice Béjart and one more. The other program will be Ballet for Life, a legendary masterpiece created by Maurice Béjart to the music of Queen and Mozart, with costumes by Gianni Versace.
It was 1967 that Maurice Béjart toured to Japan for the first time with his Ballet du XXe Siècle, which caused a huge sensation. He washed away old convention and brought about revolution in choreography. His deep insight into not only ballet but also into dramatic art, movies, literature, philosophy and religions kept him creating on the cutting edge of performing arts throughout his life. Gil Roman, long-time dance star, took over the Béjart Ballet Lausanne as artistic director after Béjart's death in 2007. Inheriting Bejart's legacy, Roman has been ever evolving the Company with his creation at the forefront of contemporary dance.
Message from Brian May, Queen
"I hope all our fans and friends will take advantage of this wonderful opportunity once again to see the most incredible and original ballet built around the music of Mozart and Queen, by ballet's most audacious creator, our sadly missed great friend Maurice Béjart."
Photo: BBL - Philippe Pache
From the Ballet for Life's premiere in 1997 in Paris
Maurice Béjart(1927-2007)
Photo: BBL - Jean-Guy Python
Gil Roman, Artistic Director
Photo: BBL - Philippe Pache
Triple Bill
Tous les hommes presque toujours s'imaginent
Choreography Gil Roman |
Music John Zorn |
Scenario and video collaborator Marc Hollogne |
Brel et Barbara
Choreography Maurice Béjart |
Music Jacques Brel, Barbara |
Boléro
Choreography Maurice Béjart |
Music Maurice Ravel |
Running Time About 2 hours and 30 minutes including an intermission(s).
Performance Dates
Saturday 9 October 2021, 14:00 @Tokyo Bunka Kaikan, Tokyo
Sunday 10 October 2021, 14:00 @Tokyo Bunka Kaikan, Tokyo
Monday 11 October 2021, 18:30 @Tokyo Bunka Kaikan, Tokyo
Ballet for Life
Choreography Maurice Béjart |
Music Queen, Wolfgang Amadeus Mozart |
Costume design Gianni Versace |
Running Time About 1 hour and 45 minutes without intermission.
Performance Dates
Thursday 14 October 2021, 18:30 @Tokyo Bunka Kaikan, Tokyo
Friday 15 October 2021, 14:00 @Tokyo Bunka Kaikan, Tokyo
Saturday 16 October 2021, 14:00 @Tokyo Bunka Kaikan, Tokyo
Sunday 17 October 2021, 14:00 @Tokyo Bunka Kaikan, Tokyo
*Recorded music will be used.
令和2年度文化芸術振興費補助金
子供文化芸術活動支援事業
(劇場・音楽堂等の子供鑑賞体験支援事業)
Venue
Tokyo Bunka Kaikan (Ueno)
http://www.t-bunka.jp/en/access/index.html
Tickets (tax included)
Category | |
S | \17,000 |
A | \15,000 |
B | \13,000 |
C | \10,000 |
D | \8,000 |
E | \6,000 |
●Please note that we are to present the performances with the utmost caution in line with national and regional guidelines for novel coronavirus infection prevention measures, and that the performance dates and details are subject to change depending on circumstances. We will be posting on our website a list of novel coronavirus precautions upon attending the performance. Audience members are kindly asked to read it before attending the performance.
●Children under 6 years old are not admitted to the auditorium.
●Programs and casting as of 2 August 2021 are subject to change. Changes in the programs and cast do not entitle holders to return or exchange tickets.
Ticket Sale Dates
All tickets go on sale on Friday 27 August 2021 at 10:00a.m. Book now
Presales at "NBS WEB Ticket"
●For two-program tickets, categories S, A and B
Wednesday 11 August 2021 at 21:00--Wednesday 25 August 2021 at 18:00
●For single-program tickets, categories S, A, B, C, D and E
Friday 13 August 2021 at 21:00--Wednesday 25 August 2021 at 18:00
Discount Tickets at NBS WEB Ticket and NBS Ticket Center
To purchase discount or youth tickets, you will need to register for a free membership of Japan Performing Arts Foundation (NBS) from here. (We regret that the form is only in Japanese.)
1. Presales for two-program tickets (Categories S, A and B)
Enjoy a discount of 2,000 yen/set (one ticket for each program), by purchasing the same number of tickets for both programs. Two-program tickets will be on sale from Wednesday 11 August 2021, 21:00 until Wednesday 25 August 2021, 18:00 at NBS WEB Ticket.
2. Presales for single-program tickets (Categories S, A, B, C and D)
Presales for single-program tickets will begin on Friday 13 August 2019, 21:00 at NBS WEB Ticket and will close on Wednesday 25 August 2021, 18:00.
3. Discount for two persons (Categories S, A & B)
Enjoy a discount of \1,000 for two persons. Tickets will be on sale from during the periods of presales and the general sales at NBS WEB Ticket and NBS Ticket Center (Phone 03-3791-8888).
4. 25 and Under Tickets
¥3,000 tickets for those aged 6 to 25 years go on sale from Thursday 9 September 2021 at 20:00 at NBS WEB Ticket. You must bring identity documents with proof of age to pick up your tickets at the venue on the performance day.
5. Free Tickets for children aged 6 to 18 years
With the support of Agency for Cultural Affairs, we are offering free tickets for children aged 6 to 18 years, to help provide the opportunities to appreciate performing arts that have been lost due to the COVID-19 pandemic.
Tickets will be offered at the NBS WEB Tickets on a first-come-first-served basis. You cannot assign seats. There will be a second application period only if the tickets are available.
First application period: Friday 27 August 2021, 10:00 - Friday 10 September 2021, 23:59
Second application period: Monday 27 September 2021, 10:00 - until 23:00 of the day before each performance
Tickets are free, but you are asked to pay the payment fee of 165 yen and ticket issuance fee of 110 yen. You must bring identity documents with proof of age at the venue on the performance day.
For more information, please contact us at +81-(0)3-3791-8888(phone) or english@nbs.or.jp.
令和2年度文化芸術振興費補助金 子供文化芸術活動支援事業(劇場・音楽堂等の子供鑑賞体験支援事業)
Presented by | Japan Performing Arts Foundation, Nikkei Inc. |
Supported by | Embassy of Switzerland in Japan |
Programs
Triple Bill
Tous les hommes presque toujours s'imaginent
Choreography Gil Roman |
Music John Zorn |
Scenario and video collaborator Marc Hollogne |
Costume design Henri Davila |
Lighting design Dominique Roman |
Photo: BBL - Gregory Batardon
Photo: BBL - Ilia Chkolnik
John Zorn is one of the leading composers of contemporary American music. The density and diversity of his extraordinary work, which began in the mid-1970s, as well as the audacity and artistic freedom he expressed through his craft, never ceased to challenge and fascinate the artistic director of the Béjart Ballet Lausanne. It was written that a meeting between the avant-garde musician and the choreographer would happen...
January 2016, the Village, New York. The two artists exchange for the first time about their respective artistic experiences, cultural heritage, and desire to transcend it and free themselves from it in order to push back the boundaries of art. The conversation is meaningful, rich, and passionate. Naturally, Gil Roman shares with him his desire to use his music for one of his ballets. The appointment is set....
2018, the Béjart Ballet Lausanne studio, Lausanne. Facing a considerable body of work, Gil Roman immerses himself in the various compositions making up the universe that the brilliant multi-instrumentalist has explored from 1990 to 2017... Step by step, with a movement, a gesture, Gil Roman brings his dancers beyond the walls...
Brel et Barbara
Choreography Maurice Béjart |
Music Jacques Brel, Barbara |
Costume design Jean-Paul Knott |
Lighting design Dominique Roman |
Photo: BBL - Didier Philispart
Photo: BBL - Gregory Batardon
For the last 35 years, my loyal friend and sister BARBARA has been telling me: "I am the black light!" So I created a choreography about L'Aigle Noir. She then played in a movie called Je suis né à Venise, in which she was given the lead role, a character called the Bright Night, while Jorge Donn interpreted the Sun.
I met BREL in Brussels, where I was living at the time with my dance company. He was starring in Man of La Mancha at the Théâtre Royal de la Monnaie. He told me that "Someday, we will do something with Barbara and I"...
Maurice Béjart
Boléro
Choreography Maurice Béjart |
Music Maurice Ravel |
Stage design and costumes Maurice Béjart |
Lighting Dominique Roman |
Photos: BBL - Laurent Philippe
Photos: BBL - Ilia Chkolnik
"My Boléro," commented Ravel, "has to stick in one's head!"
More seriously, he explained:
"In 1928, upon request by Madame Rubinstein (Ida Rubinstein, the famous Russian actress and dancer), I composed a Bolero for an orchestra. This is a dance with a very moderate and continuously even movement, both due to its melody and to its harmony and rhythm. The rhythm is continuously marked by the drum. The element of diversity is added by the orchestral crescendo."
Maurice Béjart describes the creation of Ravel's work in these terms, "music that is too well-known and yet still fresh due to its simplicity. A melody (originally oriental and not Spanish) that winds slowly around itself, increasing in volume and intensity, devours the sound space and swallows it up at the end of the melody."
Without further describing a ballet that needs no introduction, let us simply point out that Maurice Béjart returns to the spirit of The Rite of Spring in a very different style. In this sense, unlike most artists who have illustrated Boléro choreographically before him, he spurns the easy choices of a picturesque exterior to simply - but so forcefully - express the essential.
Maurice Béjart gives the central role (La Mélodie) sometimes to a female dancer and other times to a male dancer. The rhythm is interpreted by a group of male dancers.
Photo: BBL - François Paolini
Ballet for Life
Choreography Maurice Béjart |
Music Queen, Wolfgang Amadeus Mozart |
Costume design Gianni Versace |
Lighting design Clément Cayrol |
Lighting Dominique Roman |
Video editing Germaine Cohen |
Photo: BBL - Gregory Batardon
Photo: BBL - Ilia Chkolnik
Ballet for Life, created by the late visionary choreographer Maurice Béjart, returns to Japan in live performances by the Béjart Ballet Lausanne for the first time since 2008. Béjart choreographed the ballet to the music of Queen and Mozart, with costumes by Gianni Versace to celebrate the lives and talents of legendary performers Freddie Mercury and Maurice Béjart's former principal dancer, Jorge Donn, both of whom died of AIDS at the age of 45. The ballet was first performed in 1997 in Paris, in the presence of Madame Chirac, Elton John and the three surviving members of Queen, John Deacon, Brian May and Roger Taylor.
Ballet for Life has long been loved by the fans in Japan since its Japan premiere by the Béjart Ballet Lausanne in 1998, and it will be the ballet's fifth tour to the country. Fans in Japan and beyond simply cannot miss this great opportunity!
Photo: BBL - Ilia Chkolnik
Photo: BBL - Ilia Chkolnik
A little over thirty years ago, in between Berlioz surprising music interspersed with bombing and the sound of machine guns, an unconventional Friar Lawrence cried out to Jorge Donn and Hitomi Asakawa: "Make love, not war!"
Today, Gil Roman, who is about the same age as the creation of my Romeo and Juliet, surrounded by dancers who have never seen this ballet, answers: "You told us to make love, not war. We made love. Why is love waging war on us?"
A cry from the youth, for whom the problem of death by Love is added to the multiple wars that have never ceased in the world since the so-called END of the last World War!
Above all, my ballets are encounters: with music, with life, with death, with love... with all those, whose life and works find a renewal within me. Moreover, the dancer who I am no longer is reincarnated each time by the dancers who surpass this former self.
A love affair with the music by Queen. Invention, violence, humour, love: it's all there. I love the group. They inspire me and guide me, sometimes through this no man's land where we will all go one day and where, I am sure, Freddie Mercury is playing a duet on the piano with Mozart.
A ballet about youth and hope, as hopeless and optimistic as they are. Despite everything, I believe that "the show must go on", as Queen put it in one of their songs.
Maurice Béjart
Music by Queen
It's a Beautiful Day
Time
Let Me Live
Brighton Rock
Heaven for Everyone
I Was Born to Love You
A Kind of Magic
Get Down, Make Love
Seaside Rendezvous
The Prophet's Song
You Take My Breath Away
Radio Ga Ga
A Winter's Tale
The Great Pretender
The Millionaire Waltz
Love of My Life
Bohemian Rhapsody
I Want to Break Free
The Show Must Go On
Music by Mozart
Così fan tutte
Thamos, King of Egypt
Piano Concerto No. 21
Masonic Funeral Music, K. 477
Sinfonia concertante K.364
Album Made in Heaven
Sketch by Gianni Versace
Freddie Mercury
Photo: Snowdon
Jorge Donn
The Company
Photos: BBL - Jennifer Santschy, BBL - Ilia Chkolnik
*Casting as of 7 September 2021 is subject to change.